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Fallen

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Filming Fallen
A new multi dimensional music drama combining live music by Josquin, Monteverdi and Grandi with an imaginative and sensual script by Fiona Mackie.
   

Fiona Mackie script
Anthony Richards and T Perrin Sledge film/theatrical directors
Laurie Stras and Deborah Roberts musical directors

Fiona Mackie

Fiona is based in Hampshire and supported by The Nuffield Theatre, Southampton. In 2004 she was commissioned to write The Fossilist for Radio 4 (broadcast September 2005) and in the same year, won a short play competition with Appetite at the Haymarket, Basingstoke. She is currently working on Neither Use nor Ornament, a new commission for BBC Radio 4.

Anthony Richards

Anthony directed the actors in the recorded drama and focussed ideas about the live presentation. He is Artistic Director of Common Players Theatre in Devon, for whom he directs and performs original theatre works. He has worked in the hybrid world of early music and theatre before, most notably with The Consort Of Musicke's Revels of Siena. Recent productions have included Robin Hood and a touring adaptation of Shakespeare's Tempest which fused image projection with live and recorded music, puppetry and live performance, on village greens.

T Perrin Sledge

Perrin is a writer and director who has won various awards for short films which have been attached to feature films in the UK and screened on Sky Movie Max. A selection of Perrin's films made with renowned architect David Adjaye are currently touring the world as part of an exhibition for the Whitechapel Art Gallery. Whilst in development with his first feature film Perrin is also working with Getty Images on their moving image library as well as preparing to launch a website supplying film content for mobile phones.

Laurie Stras

Laurie studied harpsichord, piano and singing at the Royal College of Music, and gained her doctorate from the University of London. Before returning to postgraduate studies, she pursued a freelance career as both singer and keyboard player, including four years in the Royal National Theatre company as musical director for both touring and repertory productions. Her research interests have been succintly summed up (by a friend) as "girl groups from Ferrara to Motown." Her current projects include a book-length study of Connie Boswell and the Boswell Sisters, an edited book on 1960s girl singers, and a series of articles on the Ferrarese priest-composer Lodovico Agostini.